Monday, August 9, 2021
Can we save ourselves from climate change?
Tuesday, July 20, 2021
Is anybody else angry all the time?
Something that happened after Donald Trump left office in January is I got a lot less tense. Four years of checking Twitter the second I woke up, of losing friends I'd cared about deeply, of never getting to slow down seemed ... to ease up a bit. Honestly, the best thing about Joe Biden's presidency is what it's done for my mental health.
But: I think I'm moving back to that place where I'm angry all the time. I can't decide if this is a me thing or a world being stupid thing.
Sunday, June 20, 2021
Memories: The difference between fundamentalism and evangelicalism
Photo by Nikko Tan from Pexels |
Discussing the debates within the Southern Baptist Church, David French offers a distinction between evangelicals and fundamentalists (and no, he emphasizes, the two are not the same):
Instead, I’d frame the difference in a number of different ways—“grace versus law,” or perhaps “open-hearted versus closed-minded.” In an earlier newsletter, I described fundamentalists as possessing “fierce existential certainty.” The fundamentalist Christian typically possesses little tolerance for dissent and accepts few sources of truth outside of the insights that can be gleaned directly from the pages of scripture.
(Snip.)
Evangelicals often also have a higher view of grace than fundamentalists. They emphasize God’s grace more than God’s rules and are more prone to focus on God’s mercies than God’s judgment.
Tuesday, June 15, 2021
Fighting domestic terrorism is necessary and also dangerous to our civil liberties
Today the White House released its "National Strategy for Countering Domestic Terrorism." The promise is that it "lays out a comprehensive approach to protecting our nation from domestic terrorism while safeguarding our bedrock civil rights and civil liberties." But fighting terrorism -- a necessary task -- is in always tension with protecting civil liberties, as should be obvious from our experiences over the last 20 years. It probably won't be different this time -- and the danger is that as a result, the radicals might take the whole thing as proof they're on the right track. (We've seen it before, domestically: Ruby Ridge and Waco led to Oklahoma City.) I'm not sure the right balance can be found.
Friday, May 7, 2021
Review: 'How to Hide an Empire'
One of those territories is Guam. Immerwahr quotes a military analyst discussing how the Guam's people have no say in how the United States uses their territory as a military base:
People on Guam were forgetting that “they are a possession, and not an equal partner,” the analyst explained. “If California says they want to do this or that, it is like my wife saying that she wants to move here or there: I’ll have to respect her wish and at least discuss it with her. If Guam says they want to do this or that, it is as if this cup here,” he continued, pointing to his coffee mug, “expresses a wish: the answer will be, you belong to me and I can do with you as best I please.”
Immerwahr goes further, showing how technology has enabled the U.S. to mostly evolve away from a territorial empire into something more subtle: Globalization. America dominates the Internet, the setting of international industrial standards, and even the language that people around the world use to speak and write to each other. In so doing it has created what the author -- quoting Winston Churchill -- calls "empires of the mind."
That doesn't seem as obviously, immediately pernicious or racist as taking over a distant island and telling its people they have no say in how their collective futures. But knowing that might change the way Americans see themselves -- and how they might expect to be seen from the outside. They can start by picking up Immerwahr's breezy, very readable short book.
Monday, May 3, 2021
Review: 'Klara and the Sun'
(Spoilers ahead).
Faith is something we cobble together out of our own needs, observations, coincidences and hope. And yet it also helps us create the story of ourselves for ourselves -- it might be not entirely rational or correct, but that doesn't mean it can't be meaningful.A lot of reviewers have talked about Kashuo Ishiguro's "Klara and the Sun" as a love story, and it's sort of that, but it's Klara's faith journey that sits with me most. Our protagonist is an "artificial friend," a living doll of sorts chosen to be a companion for a young, sick girl. Klara, we see from the beginning, is endowed with a consciousness, but is treated by humans around her either as an object of sorts -- one unkind character likens Klara to a vacuum cleaner -- or as a potential vessel for something of more value than she intrinsically possesses.
We see from the beginning that Klara sees the world in patterns, observing objects and vistas as something less than the whole of their parts -- describing the world instead as a series of colliding geometries; it often takes time for her to reconcile those geometries into a rough understanding of who, or what, she might be seeing. In reverse fashion, she takes a series of observations and coincidences -- as well as her own body's particular needs -- to fashion a likeness of religious faith, treating the Sun as a deity endowed with its own consciousness of its own. In both cases, Klara never quite sees a thing for what it is.
And yet, a miracle happens.
Or does it? The medical crisis at the center of the book is resolved, seemingly by divine intervention. But we're also told that other people who have suffered the same sickness have sometimes -- sometimes -- gotten better for good after experiencing the same condition. Maybe what looks like a faith healing is in fact something a bit more random.
But the faith version of the story gives Klara a way to organize everything she's seen -- a way to "place her memories in the right order," as she says at the end of the book.
There are many ideas going on in "Klara." Thoughts about how elites treat those below them as disposable. How those "lesser" people find meaning in a world not built for them. Ishiguro's prose is as elegant as ever -- and his themes as large, and unsettling, as they've always been.
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