CNN anchor Jake Tapper repeatedly asked Donald Trump on Sunday to denounce David Duke's support for his candidacy, but Trump insisted he didn't know anything about the former KKK grand wizard.
"Even if you don't know about their endorsement, there are these groups and individuals endorsing you. Would you just say unequivocally that you condemn them and you don't want their support?" he asked Trump.
But Trump again insisted again he didn't know about Duke:
I have to look at the group. I mean, I don't know what group you're talking about. You wouldn't want me to condemn a group that I know nothing about. I have to look. If you would send me a list of the groups, I will do research on them. And certainly I would disavow if I thought there was something wrong.
It is true that Republican leaders have previously steered clear of endorsing Birtherism. But they have also steered clear of denouncing it. Pressed to denounce Birtherism, Republicans have evaded it. (Eric Cantor: “I don't think it's an issue that we need to address at all. … I don't think it's nice to call anyone crazy.” John Boehner: “It’s not my job to tell the American people what to think. Our job in Washington is to listen to the American people.”) They danced delicately around the question because Birthers constitute an important segment of the Republican coalition they could not afford to alienate. The same logic drove Mitt Romney to publicly solicit and accept Trump’s endorsement four years ago, an event that prompted little complaint from conservative intellectuals.
In both cases, the play is the same: Ignore the obvious racism of your constituency by pleading ignorance of a sort. A Venn diagram of KKK members and birthers wouldn't be a perfect circle, but it would be close enough that it's not hard to see a through line.
Again: The Republican-conservative establishment laid the groundwork for this. As Jonathan Chait said this week: "It has been a bracing experience for conservative elites to behold when the forces they have successfully harnessed for so long shake free and turn against them." Again, let us resist Trumpenfreude. But let's not kid ourselves about the foundations of it.
Three thoughts about "Crouching Tiger Hidden Dragon: Sword of Destiny"...
• I've seen a few reviews calling this a "cheap knockoff" of the original. I don't think that's entirely fair. For one thing, you can only be a virgin once, and the first time we saw rooftop wire work in the first movie was an astounding revelation to many of us Western movie watchers. (There is however a great ice-fighting scene in this edition.) And no, this movie doesn't have the aching, epic artistry that Ang Lee brought to the original. Watched on its own terms, though, it's fun Friday night flick. In some ways, it feels more "Chinese" than the original, which was famed for marrying Western storytelling sensibilities to Chinese martial arts flicks.
• If you're going to connect this movie to another, the better comparison might be 1994's "Wing Chun," which starred by Michelle Yeoh and Donnie Yen — same as this movie — and even had the same director, Woo-Ping Yuen. The two movies share more comic outlook; there's even a brief callback to "Wing Chun's" great table-fighting scene. The two "Crouching Tiger" movies contain a brand name — thanks Netflix! — but the newer movie reaches farther back in its references.
One of the problems with today's era of hyperpolarization is the temptation to take pleasure when one's political rivals are running around in a tizzy — even when said tizziness is caused by something that will ultimately cause you and your side pain as well.
Take Donald Trump.
Max Boot and Bill Kristol, in particular are two conservatives who never found a war they couldn't excitedly cheer on. Kristol, in particular, is known for simply being wrong on every great question that's faced the United States for the last few decades.
And today, they're both tweeting up a storm, trying — vainly, I suspect — to rally Republicans against Trump. The panic is manifest:
And so on. And admittedly, in the pit of my stomach, my instinctive response is this:
Tee hee! This is the world you guys helped make! Now you have to live in it! Tee hee!
It's the wrong response. The world in which Trump is conceivably the GOP nominee is a world where Trump is conceivably the president — and in any case, probably coarsens our culture a little further so that even if he fails, we're a little more complacent the next time a Trump-like figure runs.
At the same time, her stark morality tale of a righteous Southern lawyer who stands firm against racism and mob rule struck a chord with Americans, many of them becoming aware of the civil rights movement for the first time. The novel had its critics. “It’s interesting that all the folks that are buying it don’t know they’re reading a child’s book,” Flannery O’Connor wrote in a letter to friend shortly after the novel’s appearance. Some reviewers complained that the perceptions attributed to Scout were far too complex for a girl just starting grade school and dismissed Atticus as a kind of Southern Judge Hardy, dispensing moral bromides.
All I'll say about To Kill a Mockingbird is this: It's a fairy tale.
That's not a criticism. Fairy tales instruct. Fairy tales inspire. Fairy tales have "the moral of the story."
When the book appeared, in 1960, America desperately needed the fairly tale that Harper Lee gave us. We needed to hear that this country, at its best and most just self, extended justice fairly to everybody, no matter the color of our skin. That wasn't a completely unknown idea — the Civil Rights movement was well underway by then — but having the message delivered by a Southern writer, somebody who clearly loved the South, helped the idea spread a bit more quickly, I think.
It wasn't a perfect book. We're not a perfect society. There's still a long way to go to meet that ideal. But Harper Lee, god bless her, gave us a nudge in the right direction.
It's been more than seven years since we moved to Philadelphia and sold our car. For the most part, it's been a good thing: Every step we take — and every gallon of gasoline we don't burn — has been healthier both for us and the environment.
I only occasionally miss having a car. Our experience of the city is certainly different than it otherwise would be: It's much more located in the environs of where we live than it would be if we just go in the car and went whenever and wherever we get the notion. Relying on transit requires planning, which can be the death of "let's go over to Kensington to grab a bite." So I miss that.
Mostly, though, what I miss, is something silly: The ability to sing at the top of my lungs.
I was taking a long walk this afternoon on Market Street, listening to Pandora, when I was suddenly gripped by the urge to start singing along -- loudly -- to Arcade Fire. I looked around to see if I'd get caught. Sure enough: There were too many people around. I'd look like a crazy man if I just started belting.
That's less a problem when you're on the highway. Yes, cars passing you can and do see that you're performing a full-blown concert. But there's still enough privacy that it doesn't matter.
I realize now, years later, that my car was the primary place I experienced music -- and also, the primary place I experienced a certain kind of joy in unashamedly throwing myself into the music. Owning a car in Center City would be a pain in the ass -- it's not a need, and would be an expensive luxury -- but I miss it.
Three thoughts about Ta-Nehisi Coates’ “Between the World and Me”:
• This is a relentlessly political book — how could it not be? — and yet attempts to respond to the book from within the typical left-right Democratic-Republican construct of punditry seem to be insufficient to me — they come to the book, as with other political debates, without curiosity, for the sake of trying to win an argument. Let’s try again. This is an American black man telling us how he perceives living as a black man in America today: It contains no policy prescriptions, no endorsement of party or candidate, no 10-point campaign for better living. We haven’t found the right way to talk about this book yet.
