Netflix Queue: 'The Emperor and the Assassin'

Every nation has its own creation myth, something that illuminates our understanding of how a country sees itself, and the emergence of China as an economic superpower in the last couple of decades has prompted some cinematic consideration of how it came into being. Notable among these movies in recent years was Jet Li's Hero, which featured some wonderfully staged action scenes -- it was a Jet Li movie, after all -- but was also troubling to Western and democratic sensibilities with its seemingly pro-totalitarian bent.

Hero, though, was preceded a few years by 1998's The Emperor and the Assassin, and one hopes that this version of China's creation myth doesn't really show us how that country's citizens and artists think of themselves -- because it is super twisted.

Long story short: Li Xuejian plays Zheng Ying, the King of Qin who in 221 BC united all of China's disparate kingdoms under one empire. He's the Chinese George Washington, only if George Washington had a frothing bit of Macbeth in him, sprinkled with a twist of Hitler: Even at the outset he's clearly insane -- and as the movie progresses, it becomes clear he'll do anything to consolidate power: Murder his own family members, wipe out all the children of a city, and destroy entire families at a whim. But he manages a moment of clarity early on, describing China as he will one day rule it with kindness and wisdom.

His lover, Lady  Zhao, is played by Gong Li, who is one of the most beautiful actresses ever to appear on screen anywhere in the world at any point in cinematic history. (I wanted, during the movie, to call her Lady Rowwwwr.) She is so moved by Ying's promise to benevolently rule a unified China that she has her face branded, part of a plot to create a pretext for Qin's invasion of a neighboring kingdom, Yan. But she changes her mind when she sees Ying's dark side, and plots with a reformed assassin to kill the king.

We know from history that Ying did become the first emperor of China, and thus we know what becomes of the plot. But still, something buzzes throughout the movie: This is China's creation myth! And it's full of double-crosses, palace intrigue and deaths to fill two or three Shakespeare plays! We're apparently supposed to take it as a given that the unification of China was a worthy thing -- and if you're a Chinese moviegoer watching this, that may well be a given. The rest of us, though, are left aghast at the horror of it all. Put it this way: I've never seen a movie with so many dead children on screen.

China's movie industry is not known, for obvious reasons, for its subversiveness. But there might be a hidden message in all of this. Lady Zhao is so moved by the king's promises of benevolence, food, safety and even good roads for all that she deforms her own visage to enable Ying's military adventurism ... only to find his bright vision similarly deformed by the awful task of acquiring power. A lesson learned: Never, ever trust the king.

Netflix Queue: 'Tyson'

The popular image of Mike Tyson has long been that he's a dumb, savagely abusive brute who treats women -- in particular -- like crap. James Toback's documentary, Tyson, is supposed to correct the record a bit and it does: Now we know that Mike Tyson is somewhat self-aware that he's a savagely abusive brute who treats women like crap.

That's not what Toback is necessarily aiming for in this 2008 documentary. After all, we're treated to many, many images of Tyson staring pensively at the ocean while he tells his rags-to-riches story of a youngster who went from being the first coming of Omar Little -- robbing drug houses -- to the world's youngest heavyweight boxing champion to a convicted rapist to Holyfield ear-chewer and finally to a washed-up boxer and family man. We're also treated to private home video footage of him play-boxing with one of his young children. This is supposed to make us think that Tyson's not quite the brute we've perceived him as: Google up the phrase "Mike Tyson Toback complex" and you'll get 32,000 hits.

But where women are concerned, Mike Tyson is anything but complex. He professes openly that his goal is to dominate women, particularly sexually, and particularly if they're extraordinarily powerful. He calls Desiree Washington, the woman he was convicted of raping, a "wretched swine" -- betraying no Kobe-like awareness or contemplation of the possibility that (at the very least) the sexual advances he thought were welcome actually weren't. Every moment that Tyson talks about women makes you cringe -- though at least there's a laugh to be had when he describes performing "fellatio" on one young woman he met early in his career.

One, though, can be unsympathetic to Tyson and still recognize his story as a tragedy -- a tale of talent, riches and opportunity pissed away because of his own faults, and stolen from him by the always-corrupt game of boxing. But Tyson's contemptible characteristics loom too large in the story for you to feel sorry for him for long.

"Netflix Queue" features reviews of movies I just got around to watching -- no matter how out-of-date they might be.