Three thoughts about NOMADLAND

 Three thoughts about NOMADLAND....

* This would be a great double bill with WILD, the Reese Witherspoon movie from a few years back. That featured a young woman moving through the wilderness, dealing with her demons and encountering similar adventurous souls. This movie features an older woman moving through America's vistas, doing much the same. 

* I'm trying to think of another recent movie that deals so much with the act of work. Frances McDormand's character, Fern, holds a series of seasonal jobs -- Amazon warehouse worker, camp host, Wall Drug cook, beet harvester -- portrayed in nonjudgmental fashion. (Controversially so, in the case of Amazon.) In so much of popular entertainment, work is the setting for other adventures, not the story itself. SUPERSTORE might've been a recent exception. Fern does this because she has to -- early retirement won't provide the benefits she needs to live -- but also, it's clear, because she wants to. She literally cleans up shit, but you're never under the impression that the work is beneath her or that she's degraded by it. It says something about the cliches of storytelling that I kept expecting an evil boss moment, but never got one.

* But mostly, this movie sits with death, or the prospect of it. The people we meet in this movie are mostly "nomads," living in their vehicles and moving from job to job, place to place. They live with the cycles of life more intimately than those of us living in the suburbs and cities, receiving the Amazon packages that Fern and her friends pack up. Fern is living with the memory of her dead husband. Another character dies, but not dramatically or unexpectedly: It's just part of having lived a long life. We're here and then we aren't. In that sense, we're all nomads.

* Bonus thought: It's fitting that this movie sits alongside SOUND OF METAL during this awards season. Both flicks move through something that looks a lot more like the real world than what most big-budget cinema, neither has any real villains to speak of, and both feature affecting, naturalistic performances by supporting characters. They are movies made for adults.