I don't think THE GODFATHER PART III is so terrible

Vulture says G3 is getting a rerelease in theaters: " In honor of the film’s 30th anniversary, this edit of The Godfather Part III will feature some exciting new punctuation and will be called Mario Puzo’s THE GODFATHER, Coda: The Death of Michael Corleone, according to a press release from Paramount Pictures."

I love the Godfather pictures -- I'm a middle-aged white guy, and I've only recently come to realize how much that makes me a cliche -- and my dirty secret is I don't think Part III is actually that bad.

Don't get me wrong: Pacino is way over the top in this movie. I would love to know how the silent Michael Corleone of the 1950s became the shouty guy of the late 1970s, but I suspect that's more a Pacino thing than a story thing.

That said, it has all the elements of a potentially great Part III:

* A young up-and-comer who wants to carry on the family legacy, even though...

* The king, who turned to a life of crime to protect his family, wants to get out of crime...

* ...and ends up sacrificing his family, the people he loves, because of the choices he made throughout his life.

It's a tragedy, man. And the end -- Corleone's death, set to Cavlleria Rusticana -- is wonderful. No assassination. Just death, coming for the king as it comes for us all:


It's beautiful. And imperfect. The new edit probably can't salvage Pacino's performance -- but maybe it can find the better movie I know is lurking within.

Comments

Post a Comment

Popular posts from this blog

Why John Brascia is the secret hero of Bing Crosby's "White Christmas."

Image
Just finished the annual family viewing of "White Christmas." So good. And the movie's secret weapon? John Brascia. Who's that? This guy dancing with Vera-Ellen: Here's my theory: John Brascia's role in this movie makes no sense at all. Danny Kaye is Vera-Ellen's love interest in the movie. He should be, by the usual logic of Hollywood storytelling, her duet partner in all her big dances. Indeed, Kaye and Vera-Ellen have a lovely dance early in the movie: After that, though, it's Brascia — who utters no lines in the movie  (see the comments below) — who is the main dance partner. It's aided by the show-within-a-show conceit of the movie: They're practicing for an upcoming musical, you see. But again, this doesn't make a whole lotta sense... ...unless you consider this possibility: Brascia, and not Kaye, was the only dancer on set who could keep up with Vera-Ellen. Yes, Kaye was enormously gifted as a dancer. But he was alrea
Read more

So I hate my fucking colostomy

Warning: This is really gross. When the doctors came to me that Saturday afternoon and told me I was probably going to need surgery, I got weepy. It wasn't the surgery itself that brought tears to my eyes—though knowing that my belly was about to be sliced open wasn't exactly comforting—but what the docs told me was waiting on the other side: a colostomy bag. Surgery scared me. The colostomy offended me. There was my vanity, first off all. Who gets colostomies after all? Old guys, that's who, grampas who've had their sexual day in the sun and don't have to worry about looking good and being attractive to the opposite sex. (I'm married and faithful, but I don't want to be repulsive to other women; this made me feel like I'd be repulsive to both my wife and other women.) Young, virile men don't have colostomies. I'm not young exactly—I'm 38—but I suspected the surgery was a too-early arrival in the precincts of the elderly. Beyond that
Read more

Mr. Mom Chronicles: Working At Home

Image
I'm in the middle of typing out an e-mail to a source on a story when my two-year-old boy climbs up into my lap with a book, "Put Me in the Zoo." "Booky?" he asks. This is slightly annoying -- I've got work to do . But the boy is part of my work, too. If I'm going to be a stay-at-home-dad-slash-freelance-writer, then I can't neglect the dad part of the equation. Even if doing so would make the writing part of that equation much easier. So I read the book. Tobias climbs down, retrieves another tome and brings it to me. "Booky?" "No, son. I've read you one, and I've got to get this done. Can you read it to yourself?" Tobias doesn't like the idea. He raises the book high over his head, then slams it down to the ground. Then he toddles off. We're one week into this experiment -- ok, we're a week into my new way of living life -- and it's clear that this is the battle I'm going to have to fight e
Read more