Netflix Queue: The Highwaymen
Three thoughts about Netflix's The Highwaymen coming up after the trailer...
• This is a Bonnie and Clyde movie that, for the most part, is lacking in Bonnie and Clyde: The filmmakers figure you've already seen the classic movie and there's no reason to compete with that. So it's the case that we literally don't see fully the faces of our fugitives until the very last seconds before they're ambushed by Texas lawmen in a hail of bullets. The story concentrates, in this case, on the hunters, played by a laconic Kevin Costner and his sidekick Woody Harrelson, playing Woody Harrelson.
• Structurally, it plays out as a cross between the fantastic Hell or High Water and Unforgiven, but without having quite as much on its mind as either of those movies. Maybe the most potent theme is about how thrall to celebrity can turn regular people into monsters. After Bonnie and Clyde are killed, local townspeople are shown in a near-riot situation, plucking souvenirs from the criminals' bodies. 20,000 people attended Bonnie's funeral, we're told at the end of the movie; 15,000 went to Clyde's. The overall outlook borders on fascist: The masses are unruly and easily thrilled; the leaders are corrupt and phony. The only hope? Men with guns and blood on their hands.
• Still, it's a reasonable evening's entertainment. I realized, watching it, that you don't really find quiet adult-oriented crime dramas like this at the multiplex anymore — they're either indie movies (like Hell or High Water) or they're shunted off to cable channels and streaming services, as is the case here. Unforgiven, meanwhile, grossed $159 million in 1992 — kind of a big deal, and good for 11th for the year at the box office. Maybe that's possible today, but I kind of doubt it. Too bad.
• This is a Bonnie and Clyde movie that, for the most part, is lacking in Bonnie and Clyde: The filmmakers figure you've already seen the classic movie and there's no reason to compete with that. So it's the case that we literally don't see fully the faces of our fugitives until the very last seconds before they're ambushed by Texas lawmen in a hail of bullets. The story concentrates, in this case, on the hunters, played by a laconic Kevin Costner and his sidekick Woody Harrelson, playing Woody Harrelson.
• Structurally, it plays out as a cross between the fantastic Hell or High Water and Unforgiven, but without having quite as much on its mind as either of those movies. Maybe the most potent theme is about how thrall to celebrity can turn regular people into monsters. After Bonnie and Clyde are killed, local townspeople are shown in a near-riot situation, plucking souvenirs from the criminals' bodies. 20,000 people attended Bonnie's funeral, we're told at the end of the movie; 15,000 went to Clyde's. The overall outlook borders on fascist: The masses are unruly and easily thrilled; the leaders are corrupt and phony. The only hope? Men with guns and blood on their hands.
• Still, it's a reasonable evening's entertainment. I realized, watching it, that you don't really find quiet adult-oriented crime dramas like this at the multiplex anymore — they're either indie movies (like Hell or High Water) or they're shunted off to cable channels and streaming services, as is the case here. Unforgiven, meanwhile, grossed $159 million in 1992 — kind of a big deal, and good for 11th for the year at the box office. Maybe that's possible today, but I kind of doubt it. Too bad.
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